"To Yvonne..."

I never met the Jackson 5 in person, so all the autographed items I have added to my collection over the years have been signed for people who will be forever anonymous to me -- with one exception. The autographed 8 x 10 glossy you see here was signed by Jermaine for Yvonne Fair (you have to click on the photo to get an enlarged version in order to see "To Yvonne" written in Jermaine's afro). Fair was a singer who signed with Motown shortly after the Jackson 5 did, and who worked as their opening act in 1971, sandwiched between the Commodores and the Jackson 5.

By the time she signed with Motown, she had already had a long career as a professional, starting in the 1950s as a replacement singer for the Chantels, and then as a featured singer with James Brown from 1962 to 1965. After that she joined the Chuck Jackson Revue for a few years before she signed with Motown. She even had a small role as a raunchy club singer in the 1972 movie Lady Sings the Blues, where she shocked young Billie Holiday (Diana Ross) with her performance of "The Low-Down Shuffle Blues."

We can only imagine how difficult it must have been for her to have paid her dues for so many years, only to be put on the bill with a headlining group whose lead singer had not yet been born when she started in the business. In addition, she had to perform her mature set, night after night, in front of a group of over-excited pre-teens and teens who had already sat through an over-long act by the Commodores, and just wanted her to get off the stage so they could see their idols.

The May 1971 Rolling Stone cover story actually gave quite a bit of ink to Yvonne Fair's opening act in their description of the Jackson 5's January 30 concert in Columbus, Ohio. They recounted this hilarious conversation between Fair and a teenage J5 fan in the audience:

Yvonne: "This song is for like young ladies with men who have a habit of taking everything — we mean from clothes to money to... whatever." She goes into "Piece of My Heart." Then a break. She moves back and points to her stage-prop man, the Commodores' lean young bass player. This is her property, she tells her audience. "He's mine."

Teenage girl: You can have it!

Yvonne: He ain't much, but he's mine. [To bass man, heatedly:] You don't got to go show off!

Girl: He ain't got much to show!

Yvonne: Pose more, honey, pose more.

Girl: He's gonna have to pose a whole lot!

Yvonne: What you see is what you get!

Girl (and friends): Right on!

At Motown she worked with producer Norman Whitfield and she released a few singles, including a great version of "Funky Music Sho' 'Nuff Turns Me On," with backing vocals by Marvin Gaye. But she released just one LP with Motown, The Bitch Is Black, from 1975. Happily, it has recently been reissued on cd. Yvonne Fair was a great singer and deserves to be remembered.

She died in 1994 and took with her the secret of how this autographed photo of Jermaine came into her possession. Sure, she would have been seeing him on a regular basis in 1971, but this photo is a bit later than that. Did Jermaine just assume that, since she was female, she would want an autographed picture of him? Or did she ask him for it? She did, after all, seem to have a thing for "lean young bass players."

Mischievous Marlon

Many years ago, I bought an autographed copy of Maybe Tomorrow. The dealer's ad indicated that it had only been signed by Michael, Jackie, and Tito, the three brothers pictured on the front of the gatefold sleeve. (Jermaine and Marlon's pictures appeared on the back of the album.) While I was disappointed that it wasn't signed by all five brothers, early autographs are hard to come by, especially with both first and last names included in the signatures. So I bought it anyway.



I got a surprise when the LP arrived in the mail, and I opened it up to find that Marlon had, indeed, signed it on the inside of the gatefold sleeve.



And then I got another surprise: Marlon had not only signed it, but it appears that he also he had drawn a mustache on Michael. I assume it was Marlon's work because it was done with the same pen and Marlon is the only one who opened the LP to sign, -- besides what fan would draw a mustache on Michael? It looks like he had also started to draw horns on Jackie but was apparently interrupted since Jackie only got one completed horn on the right side of his head and a mere squiggle on the left side. I wonder if the album was snatched out of Marlon's hands before he could do more damage.



Maybe if Marlon hadn't spent time enhancing his brothers' photographs, Jermaine would have gotten a chance to add his signature. All things being equal, I guess I'd rather have the mustache and horn.

Autographs from 1972

Although there are plenty of photos of the Jackson 5 signing autographs for fans, early Jackson 5 autographs are fairly rare. If that's what you're looking for, don't be fooled by the signed Jackson 5 photographs you see on eBay. While the autographs themselves may be authentic, most of these were signed by the group members when they were much, much older.

Since the Jackson brothers were still quite young when they first started signing autographs, early ones are fairly easy to distinguish from later ones. Here's a good set from 1972 that even includes Randy and Joe. You can see that Michael's signature is still childish, although he is already beginning to develop the characteristic M and big looping L that he would carry into adulthood. As an added flourish, he's even included a J5 heart to the bottom of his signature, as did Jermaine. (It's hard to tell who is imitating whom here -- although Jermaine did go on in later years to add a smiley face to the inside of his initial J. Just sayin') This particular autograph was acquired by a fan on-board an airplane, so the Jacksons were a captive audience with plenty of time to write with care and flourish. (Poor Johnny and Ronnie must have been sitting in coach.)